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Vincere Guest Mix 18/07/2013 (Phil 'Tinman' Underdown)



VINCERE MUSIC
UP AND COMING ARTIST

DJ NAME – Phil 'Tinman' Underdown
SOUNDCLOUD- www.soundcloud.com/tin_laden

This weeks Featured artist is Phil 'Tinman' Underdown an underground DJ from the Essex, UK.

 With musical influences that are not restrained to one genre, Phil believes in exploring the versatility of the underground music scene wherever he is playing!
Check out Phil's Vincere Guestmix which features some of his favorite tunes at the moment, this mix is most defiantly to get you in line for the weekend in which looks to be another hot one! 


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I Had decks since I was 13 and playing out since I was 14/15 so a good 12 years now! At the moment I’m part of the Deeper Love brand putting all kinds of events on across Essex and London. Lots in the pipeline for this Summer and all will be revealed soon. Musically I’m getting back into production but just need to give some more time and energy into sculpting my sound. Not gonna unleash anything until its ready! Catch me at one of the events listed here and follow me on Soundclound for free mixes and hopefully tunes in the future! Get at Deeper Love on twitter @Deeper_Love_UK or check us on facebook.com/deeperlovemusic

* From/Lives
Essex
* Best club ever played at
Warehouse, Edmonton
* Most Influential Dj/Producer
DJ has to be EZ hands down! Producer is a hard one, but for consistently being on point probably Wookie.
* Favorite Genre
Too many! - For vibes UK Garage and House, for rave Drum and Base and for kicking back Hip Hop.

 *Up and Coming Gigs


  •    19/07 Deeper Love at Easterns Lounge Sudbury
  •  25/08 Solstice Southend TBC ft Gorgon City, Shadow Child, Yousef, more TBC
  •    25/08 Deeper Love at Candy Club Chelmsford ft Shadow Child & Friend Within
  •   Friday rotation City Beats at Platform 3 Chelmsford



 

*TOP 3 CURRENT TUNES
Duke Dumont - Slowdance


 Martin Ikin - What You've Done (Original Mix) Detroit Swindle – The Break Up
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Tune Of The Week - Breakbot - You Should Know (feat. Ruckazoid) [The Swiss Remix]




Pert up the front and taut down the back, The Swiss are what disco should be. Insistent drums, tractor beam bass and melodies that got here on a rainbow - all in sync with the biorhythms of ecstasy and heartbreak. It's not wedding music, it's not beardy edit dross, it's actual disco. Maybe sometimes it's lazer funk and at others it's house but really it's disco. It's two guys from Adelaide, Australia connecting the dots between the studio and the after-party in real-time. Like a velvet fist in a chrome glove, The Swiss pack a sense of faded decadence into a face-shatteringly stunning image of what is to come.


Forming in high school and deciding on a name with no relevance to anything, The Swiss initially set out as a trio before settling on their current line-up of Tony "Sweet 1/16ths" Mitolo and Luke Godson (also known as Luke Million, the man behind the inescapable, floor-filling earworm that is "Arnold"). Tony is a verified man-beast of a drummer whose work behind a kit is an immediate incitement to dance, carrying the unrelenting drive of a rhythm box but the lively inflection of a liquid human. Luke is the other side of the coin; a virtuosic melody ace in charge of synths, Rhodes and anything else striped in black and white that makes a noise from beyond the palace of the ultra-gods. In the shadowy background is the pseudo-enigmatic svengali and super-producer Donnie Sloan (Empire of the Sun, Sneaky Sound System), a man whose skillset in converting sound to pleasure is surpassed only by his knowledge of Australian aviation history.

Along the way they put out their debut EP Movements. From there it was an express trip to Mega-jam Central with the rampantly monstrous Bubble Bath EP and its sweatband-wringing follow-up Double or Nothing. When in front of you in the flesh, they don't muck around. In full live mode the set is a thing of raw beauty, as polished as it is primal.

Always well received, The Swiss have slayed it at festivals across Australia from Parklife to Splendour in the Grass and back again in addition to headlining their own sweat-laden body writhing club shows. On top of this they've toured Europe and the Us of A and are due back any second now. They may well be Adelaide's most successful worldwide export since the Mitsubishi Sigma.

This diamond-paved path leads us now to The Swiss' latest offerings. A pulsating ode to the past, present and multiple futures of 4/4 that sees the band perfect what you already know they're good at whilst also pushing into new and, at times, unexpected territory. Definitely don't listen to it if you hate dance floors, good times and yourself though. 




Thibaut Berland (born October 5, 1981), known by his stage name Breakbot is a French producer and a DJ who has been signed with Ed Banger Records since May 2009.
He studied at Supinfocom, a computer graphics university. He co-directed one short film Overtime with Oury Atlan and Damien Ferrié. The short won the Ottawa International Animation Festival award for "Best Graduate Film" in 2005 and the Internationales Trickfilmfestival Stuttgart "Young Animation Award" in 2006. Thibaut Berland also prepared advertisements and videos.
Breakbot is most recognized for his remixes. 

His reworkings of songs by artists including Röyksopp, Digitalism, and Chromeo are among his most popular. The music video of "Baby I'm Yours" featuring Irfane was directed by Irina Dakeva and became a summer hit MTV Pulse, France. The music video was nominated for "Best budget pop/dance/urban video" and "Best animation in a video" during the UK Music Video Awards on October 12, 2010.


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VINCERE CHART 04/07/2013













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Tune Of The Week - Quell - Them Crowd Kids






One could be very challenged and even confused looking at Quell’s output so far. Although a relatively young artist in terms of discography, the producer has already made it clear that he is very little concerned about sticking to one style of music or a certain scene of musicians. It is so rare these days to find individuals who have a bold approach towards dance music, pushing genre defying DJ-ing and general diversity, not only in the studio but also in life. Ranging from mid tempo deep house and afro-beat house/techno, to straight up Chicago/SF jackin’ house, he has worked with labels such as Ibadan, These Days, Boddhi Satva's Offering Recordings, Kolour Recordings and Blockhead Recordings to name but a few.

Quell’s music is an amalgamation of images, sounds and nostalgia that derive from his perception of a universal “club sound”. Coming from an indie pop/rock background and having lived in London for a long time, since the tender age of 17, he was able to witness the flourishing worldwide dance movement of the late 90s and allowed himself to be exposed to a multinational musical collage that would later influence his art immensely.

Quell is a DJ's DJ. The words that would accurately describe his DJ performances are diversity, versatility and dance-floor perception. To quote the artist “…I’ll play almost anything I feel like given the right moment on the right dance-floor. House, Techno, Pop, Disco… I am generally against just filling up a bag with the latest batch of released records from the local record stores and going out to play wearing an imaginary blindfold...” If there’s one thing for certain, it is that as far as talent and promise go, Quell has plenty of both, and it won’t be long before he becomes one of dance music’s household names.

"It is my firm belief that a DJ should be able to entertain as much as educate a crowd and the two don't have to be mutually exclusive values. DJing is one of the most misunderstood jobs around and It's vital to me, for the people who come see you to get more than their money's worth and experience an engaging performance" says Quell, whose DJ abilities can reach and combine genres/styles so far apart, that very few of his contemporaries have been able to master. Travelling all over the world, but also playing some hand-picked, special interest events in his adopted home of Berlin, he presents shows that include 3-4 hour high energy house/techno of all times to more expansive long-hour shows weaving through post punk, indie and disco back to house and techno.

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